DAY FIFTY
Odd Weeble-like stem and an odd layer-cake treatment. Not sure if I’ll use these again, but had fun making them.
From the monthly archives:
Odd Weeble-like stem and an odd layer-cake treatment. Not sure if I’ll use these again, but had fun making them.
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Made some vector squiggles with the pencil tool. Picked my favorite. Then tried to make it old.
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Spent all day Saturday attending the Bat Mitzvah of a family friend. Catching up with something fairly quick.
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LTRCLT. Stretching readability in favor of bolt-i-ness. The more I look at this, the more I’m thinking it’s not working. ZIRCLT, wat?
Going to update most likely.
closer to a final
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I spotted this No. 44 in the gutter last year. It was dirty and wet, a random piece of paper destined for death by disintegration. I pulled it up, and set it on the driveway to dry. I felt a bit like the kid from American Beauty, you know, the dude who videotaped dead birds and plastic bags flying in the wind. But yeah, beauty is subjective, and I thought I’d share it on Day 44.
It’s a bit more interesting than this piece, which is the result of random meandering while watching American Idol (which is terrible this season, btw.)
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Not really sure what this was about. It was supposed to be something about the Mac hello screen of yesteryear, and some computer-looking letters, but that’s not how it turned out. Oh well.
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Five years ago, I made this for a Typophile T-shirt contest.
Upon posting it, I was informed that my TYPE thing was actually not type—it was digital lettering. I wasn’t aware of the distinction until then. (It was a pretty lame effort anyhow.)
Today, I made some letters (primarily with the underutilized pencil tool in Illustrator), and the leaves reminded of that old piece.
B3S, aka Butt3rscotch, is a designer forum.
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I made some French Clarendon-ish letters, with flat tops and bottoms…and felt compelled to display them in a vintage specimen book style.
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Thirty-seven is my favorite number. I took the 37 from Day 12, and pulled some 3d shenanigans in Illustrator.
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Futuristic letters, inspired by the old-school movie Demolition Man, and the new movie, Repo Men.
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I made three reverse-contrast slab letters, and pushed them around until I had balanced logotype, W-A-R (bottom). (I know that the outstretched hand is owned by Saul Bass, so this can be categorized as homage, officially.)
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Started with a slightly convex stem, and ended up with about half the uppercase characters on this serif titling face. H-O-T-E-L are usually the first letters I make.
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Playing around with the letter B. Probably will submit this to that AlphaBattle thingity.
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I love drawing numbers. I also love red numbers stamped on a ticket.
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I had the pencils and pens out for some client work and Sharpie’d some rough letters—a schizo Alphabet and some bubble lettering. I could fix all the mistakes, but that would be defeating the purpose. The warts and blips give these more depth, more heart. I realize that most clients want clean vector, but progressive clothing companies are always down for some quick and dirty hand-lettering.
Just got a new work area set up, so more hand-lettering to come. (type purists: I know it’s a contradiction to use lettering to spell TYPE, but it’ll be okay.)
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